![]() |
||
|
MERCI POUR LE CHOCOLAT
7/10 aka
Nightcap In
message <E15I7ws-000HmJ-00@buckaroo.freeuk.net>, Mrs Sheila
Seacroft Don't ask me anything about this crazy picture. I think it's one of those " 'why' doesn't come into it" affairs, to be dismissed with a Gallic (or should that be Swiss) shrug... Often I can be guilty of not paying full attention to some of these convoluted foreign movies, but here I was totally alert from start to finish! Constantly reaching forward trying to second guess the plot twists proved stimulating, though I of course failed miserably. Not totally my fault : like most cobwebs, picture is an intricate construction, mainly holes and air. Liked
the Hitchcock stuff involving her face (Queen Christina at the
end?) and the prevailing Highsmithy mood (classical music - nice
house - gradual slide from agreeable normality into, erm, psychosis?)
and the old-fashioned direction suited the just-so Swissness of
it all... But I couldn't get over my amazement that they'd actually
got (ex Italy footy boss) Cesare Maldini to play the pianist
- don't be taken in by this 'Jacques Dutronc' credit: it's just
a nom d'ecran, as they say in Lausanne. for the full review please click here. |
||
|
11th July, 2001 (seen Tyneside Cinema, Jul-11-01) |
by Neil Young
Back to Film Index |
|