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JOHN CARPENTER'S GHOSTS OF MARS 6/10 USA
2001 Carpenter fans should make the most of Ghosts of Mars which stiffed so badly at the US box office it might actually end his once-glorious feature-film career. But while he may not have released anything really exceptional since 1989's terrific Prince of Darkness, neither has Carpenter made a dull movie - even if Vampires admittedly came pretty close. Ghosts may be a ramshackle throwback of a sci-fi western, but if you're in the mood for an entertaining, undemanding slice of undemanding B-movie nonsense, look no further. Mars, 2176. Shapely cop Ballard (Henstridge) is quizzed by her superiors after she returns to base, apparently the sole survivor of a mission to retrieve dangerous criminal 'Desolation' Williams (Cube) from a distant mining outpost. A series of flashbacks shows Ballard's team arriving at the camp to discover a scene of slaughter, the colonists having been taken over by a mysterious ancient force and turned into cannibal-zombie psychopaths The
movie is itself possessed by some powerful older spirits - the spectres
of Carpenter's own back catalogue. Buffs will have a field day ticking
off the self-homages, starting with the film's setting, exactly 200
years after Carpenter's 1976 breakthrough Assault
on Precinct 13 which also featured besieged cops, faceless villains,
and a bad-ass who finally turns hero. It's easy to knock the hole-ridden
plot, the Blakes' 7 FX, and the dated racket that is Carpenter's
own synth-metal score. But to take things at all seriously would be
to miss the point: the crazily complicated flashback structure and hilarious
hardboiled dialogue are all the more amusing for being played so dead-on
straight. Movie of the year for teenage Marilyn Manson devotees, a guilty
pleasure for the rest of us. |
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by Neil Young |
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